Two Brothers, One Ache: Bee Gees’ Cryin’ Every Day Finds Robin and Barry Exposed on Living Eyes
On Cryin’ Every Day, the Bee Gees let brotherhood speak softly, with Robin and Barry...
Bee Gees
Before the UK Heard Robin Gibb: Bee Gees’ “I Am the World,” the Vast B-Side to “Spicks and Specks”
On the far side of “Spicks and Specks,” Robin Gibb’s voice was already reaching beyond...
Japan Heard a Different Bee Gees: Melody Fair from Odessa to the 1971 Melody Soundtrack
Before the Bee Gees became a disco-era force, Melody Fair carried a fragile, storybook sadness...
One Last Promise in Harmony: Bee Gees’ Sacred Trust from This Is Where I Came In
Near the end of the Bee Gees’ recording journey, Sacred Trust turned devotion into something...
The B-Side Held Its Breath: Bee Gees’ Kilburn Towers Behind I Started a Joke
On the quieter side of a famous 1968 single, Bee Gees let Kilburn Towers become...
Before Disco, Bee Gees’ To Love Somebody Put Otis Redding’s Shadow Inside Their 1967 Breakthrough
Before the white suits and falsetto fame, Bee Gees found an early breakthrough by writing...
A Bright Beat With Bite: Bee Gees’ “Idea” Shows Barry and Robin Driving the 1968 Title Track
On the 1968 album that carried its name, Bee Gees’ “Idea” moves with a bright,...
A Quiet Goodbye Revealed the Bee Gees’ New Voice in Baby As You Turn Away on Main Course
On Main Course, Baby As You Turn Away sounds like a farewell and a threshold:...
When Bee Gees Let the Moog Speak: Sweet Song of Summer on To Whom It May Concern
On Sweet Song of Summer, the Bee Gees let harmony drift toward the future, with...
Before Disco Defined Them, Bee Gees’ Please Read Me Built a Baroque-Pop World on Bee Gees’ 1st
Before the Bee Gees became shorthand for another era, Please Read Me showed three brothers...
After Disco’s Glare, Bee Gees’ “Soldiers” Turned Living Eyes Into a Quiet Reinvention
On “Soldiers”, the Bee Gees let the disco glare fall away and tested how their...
Maurice Gibb Alone on the B-Side: Bee Gees’ “Country Woman” Behind “How Can You Mend a Broken Heart”
On the quiet side of a career-making single, Maurice Gibb found a small space where...
A Six-Minute Falsetto Labyrinth: Bee Gees’ Stop (Think Again) on Spirits Having Flown
On Stop (Think Again), the Bee Gees turned a slow R&B ballad into a study...
Odessa’s Quietest Wound: Bee Gees’ Sound of Love Let Barry Gibb Make a 1969 Double Album Feel Private
On Odessa, the Bee Gees built a grand double album, but “Sound of Love” lets...
Before Disco Found Them, Bee Gees’ Throw a Penny on Mr. Natural Revealed the Groove Arif Mardin Was Drawing Out
Before the Bee Gees became shorthand for a new dance-floor age, Throw a Penny caught...
A UK Top 20 Whisper: Bee Gees’ I Could Not Love You More Carried Still Waters in 1997
When the Bee Gees reached the UK Top 20 in 1997, “I Could Not Love...
Robin Gibb Cuts Through the Brass on Bee Gees’ Indian Gin and Whisky Dry from 1968’s Idea
On Indian Gin and Whisky Dry, Bee Gees trade solemn grandeur for motion, brass bite,...
The Bee Gees Went Country First: How Give Your Best Slipped from Odessa into Melody
Before the Bee Gees became shorthand for reinvention, Give Your Best showed how far the...
Two Brothers, One Fragile Thread: Bee Gees’ Method to My Madness on Life in a Tin Can
In Method to My Madness, the Bee Gees sound less like architects of pop grandeur...
A BBC2 Fantasy Caught Bee Gees in Transition: I Was the Child from Cucumber Castle
Inside Cucumber Castle, Bee Gees let fantasy become a mirror, and I Was the Child...
A Final-Album Echo: Bee Gees’ Just in Case and the Rare 2001 Bonus Track from This Is Where I Came In
As a rare bonus track from the Bee Gees’ final studio chapter, Just in Case...
Bee Gees Took a Hard Left in 1991: High Civilization Turned Their Harmonies Into Techno-Rock
On the 1991 title track High Civilization, the Bee Gees sounded less like visitors to...
Bee Gees Turned the Lights Down on Horizontal, the 1968 Title Track That Darkened Their Baroque Pop
With Horizontal, the Bee Gees let their ornate pop drift into darker air, turning a...
Before Olivia Made It a Hit, Bee Gees’ Come on Over Opened Main Course’s Country-Pop Heart
Before it traveled into Olivia Newton-John’s world, Come on Over caught the Bee Gees at...
Robin Gibb Carried the Ache When Bee Gees Cut Don’t Fall in Love with Me for Living Eyes
At a moment when the Bee Gees were trying to move beyond their brightest commercial...
Before Disco, Bee Gees’ Let There Be Love Opened Idea Like a Grand Pop Invocation
As the first sound of Idea, Bee Gees’ Let There Be Love did not simply...
A Street-Level Groove Hiding in Plain Sight: Bee Gees’ “Subway” on Children of the World
Before the world heard the full force of their disco-era ascent, Bee Gees tucked a...
Before Disco Took Over, Bee Gees’ Dogs on Mr. Natural Gave Arif Mardin Room to Toughen the Groove
On Dogs, the Bee Gees sound caught between eras, letting Arif Mardin pull weight and...
When Bee Gees Turned Inward: Don’t Wanna Live Inside Myself and Barry Gibb’s 1971 Unease
Before the Bee Gees became a symbol of escape, this 1971 single let Barry Gibb...
Brotherhood in Full Voice: Bee Gees’ 1991 “The Only Love” from High Civilization
With “The Only Love,” the Bee Gees turned a 1991 ballad into a reminder that...