Before the Spotlight Widened, Neil Diamond’s A Modern Day Version of Love Brought Restless 1968 Energy to Velvet Gloves and Spit
Before the grand choruses and packed arenas, “A Modern Day Version of Love” caught Neil...
Before the grand choruses and packed arenas, “A Modern Day Version of Love” caught Neil...
On a 1977 album filled with grand romantic shadows, Neil Diamond’s Let Me Take You...
Before the Bee Gees became a story of reinvention, One Minute Woman caught Barry Gibb...
On Every Second, Every Minute, the Bee Gees made reunion sound less like repair work...
Josh Turner turns a Christmas album toward the quiet debt owed to veterans, making Soldier’s...
On Country State of Mind, Josh Turner does not simply revisit Alan Jackson’s ghostly country...
On Get Closer, Linda Ronstadt turned “Tell Him” from a bright early-sixties plea into a...
With Nelson Riddle’s orchestra behind her, Linda Ronstadt turns “Am I Blue?” into a study...
On Before Believing, Emmylou Harris turned Danny Flowers’ quiet country doubt into one of the...
On GP, a country song about desire, guilt, and daylight became the first clear glimpse...
At the end of Wrecking Ball, Emmylou Harris did not resolve her reinvention so much...
On Hard Bargain, Emmylou Harris turns a tattoo, a marriage, and the shadow of war...
John Fogerty returned on Centerfield with his old fire still intact, but “I Can’t Help...
On his 1975 solo album, John Fogerty did not polish You Rascal You into nostalgia;...
On Someone, David Cassidy stepped away from the glow of teen-idol memory and into the...
With Tell Me True, David Cassidy sounded less like a memory being revived and more...
On Cry Like a Rainstorm, Linda Ronstadt turns vocal power into weather, proving that the...
On Winter Light, Linda Ronstadt made “Oh No Not My Baby” feel less like defiance...
On a 2001 album built from plain chords and grown-up questions, Neil Diamond’s Midnight Dream...
Before the dance-floor breakthrough, a modest 1974 flip side caught the Bee Gees learning a...
On a 2006 CMT stage, Josh Turner and Randy Travis turned “Deeper Than The Holler”...
On Más Canciones, Linda Ronstadt made Gritenme Piedras del Campo sound less like a revival...
At the Ryman, Emmylou Harris and The Nash Ramblers turned Guitar Town into a bright...
On All That You Have Is Your Soul, Emmylou Harris turns Tracy Chapman’s warning into...
Before John Fogerty fully reintroduced himself after Creedence, I Ain’t Never let him hide in...
A Dixieland flourish slips under David Cassidy’s bright lead on “Hello, Hello,” turning a Shopping...
On Frenesí, Linda Ronstadt carried Perfidia back to its Spanish-language ache, where elegance and accusation...
On Hurricane, Neil Diamond lets the polished surface of Heartlight carry rougher weather: desire, tension,...
Inside House of Shame, the polished comeback surface of Bee Gees meets a sharper dance-floor...
On Pretty Please, Josh Turner treats old-school country not as a museum piece, but as...