The B-Side Held Its Breath: Bee Gees’ Kilburn Towers Behind I Started a Joke
On the quieter side of a famous 1968 single, Bee Gees let Kilburn Towers become...
On the quieter side of a famous 1968 single, Bee Gees let Kilburn Towers become...
Before their celebrated Trio album, three country-rooted voices gathered around one Dolly Parton song and...
On What’s New, Linda Ronstadt found drama not by overpowering Nelson Riddle’s orchestra, but by...
On Roses in the Snow, Emmylou Harris made bluegrass feel quick, bright, and fully alive,...
With If You Were a Bluebird, Emmylou Harris closes Bluebird not with a grand farewell,...
In J’ai Fait Tout, Emmylou Harris lets a Cajun-leaning rhythm carry the restless honesty at...
On Luxury Liner, Emmylou Harris turned a Rodney Crowell song of forced reassurance into a...
In John Fogerty’s 2009 version of Garden Party, Rick Nelson’s lesson about expectation becomes a...
On You’re the Reason, John Fogerty turned a country favorite into a quiet test of...
On Shopping Bag, a modest album cut lets The Partridge Family sound less like a...
In David Cassidy’s 2003 reading of “A Song for You”, the familiar Leon Russell ballad...
On Frenesí, Linda Ronstadt turned Bobby Capó’s Piel Canela into something both elegant and intimate:...
On “High Sierra”, three of American music’s most beloved voices do not compete for the...
In Beautiful Noise, Neil Diamond heard the city not as interruption, but as rhythm, memory,...
Before the white suits and falsetto fame, Bee Gees found an early breakthrough by writing...
On a 2012 album shaped by grit and resilience, Josh Turner tucked in a bright,...
Linda Ronstadt’s version of You’re No Good turned a borrowed song into a cool flash...
In Strong Hand, Emmylou Harris turns her farewell to June Carter Cash into a prayer...
On All I Intended to Be, Emmylou Harris hears Billy Joe Shaver not as myth,...
On Willy and the Poor Boys, “Poorboy Shuffle” is the brief back-porch detour where John...
On the 1997 EFX Las Vegas cast album, David Cassidy turned spectacle into a quieter...
On What’s New, Linda Ronstadt did not simply borrow the old standards songbook; she stepped...
In the lean Bang Records years, Neil Diamond’s Kentucky Woman carried motion, desire, and a...
On Man of God, Neil Diamond let the grandeur fall away and turned faith into...
On the 1968 album that carried its name, Bee Gees’ “Idea” moves with a bright,...
On Main Course, Baby As You Turn Away sounds like a farewell and a threshold:...
When Josh Turner joined Will the Circle Be Unbroken for Randy Travis, a familiar country...
On Crazy He Calls Me, Linda Ronstadt did not try to outshine a classic standard;...
On her 1972 self-titled album, Linda Ronstadt turned Woody Guthrie’s wandering song into an early...
On Luxury Liner, Emmylou Harris turned a young Rodney Crowell song into a country-rock lesson...