Hidden on 1979’s September Morn, Neil Diamond’s The Good Lord Loves You May Be the Album’s Warmest Moment
On September Morn, Neil Diamond leaves the public sweep of the hit single for something...
On September Morn, Neil Diamond leaves the public sweep of the hit single for something...
Some of the clearest evidence of change lives in the songs that were never pushed...
On the reverse of a polished hit, the Bee Gees left a stranger little signal...
In the unsettled space between breakup and renewal, The Bee Gees made room for something...
Some title tracks sit quietly on an album cover. Josh Turner‘s Haywire does something else,...
At the close of King Size Manger, Josh Turner turns Silent Night, Holy Night into...
On We Ran, Linda Ronstadt found the frost inside John Hiatt’s Icy Blue Heart and...
On Prisoner in Disguise, Linda Ronstadt turns Jimmy Cliff‘s Many Rivers to Cross into a...
At the close of Trio, three great voices leave the spotlight behind and return to...
Years before Trio became a formal collaboration, one song on Blue Kentucky Girl let three...
On the 1974 Grievous Angel recording of “Love Hurts”, Emmylou Harris does more than harmonize...
Strong Hand is one of those rare late-career songs that honors a friend by refusing...
On Cosmo’s Factory, Creedence Clearwater Revival turned Arthur Crudup‘s My Baby Left Me into something...
A rare 1986 B-side, John Fogerty’s version of “My Toot Toot” with Rockin’ Sidney is...
On Gettin’ It in the Street, David Cassidy‘s self-written I Never Saw You Coming turns...
Inside a bright 1972 television-pop album, Every Song Is You carries a quieter kind of...
On Mad Love, Linda Ronstadt takes Neil Young’s “Look Out for My Love” and changes...
Some songs reach the chart with a shout; in 1984, Neil Diamond chose a softer...
On a 1993 album filled with polished craft, Blue Island is where the Bee Gees...
A title track can define an album, and Punching Bag does it by turning pressure...
At the close of Cry Like a Rainstorm, Howl Like the Wind, Linda Ronstadt turns...
On Wrecking Ball, Emmylou Harris stepped into Daniel Lanois’ echo and twilight, but Goin’ Back...
On Roses in the Snow, Emmylou Harris finds the quiet strength inside “Darkest Hour Is...
Before the arena years and the run of major hits, Linda Ronstadt sang “Will You...
On Centerfield, John Fogerty turned a passing highway sign into “Searchlight”, a song that carried...
Treat Me Like You Used To is one of those later David Cassidy recordings that...
On Farther Along, Linda Ronstadt, Dolly Parton, and Emmylou Harris set fame aside and find...
On Heartlight, Neil Diamond turned I’m Alive into more than a catchy refrain. In 1982,...
On the back of a hit 45, Neil Diamond left a smaller, sharper clue to...
On One, the Bee Gees were not chasing the past so much as proving they...