Emmylou Harris – Ooh Las Vegas
“Ooh Las Vegas” is Emmylou Harris singing the neon as if it were a warning...
“Ooh Las Vegas” is Emmylou Harris singing the neon as if it were a warning...
“Jupiter Rising” feels like a late-night phone call you almost don’t dare to make—a cosmic-weather...
“I Ain’t Living Long Like This” is a hard-road confession—Emmylou Harris singing with the calm...
“Cup of Kindness” is Emmylou Harris offering grace as something ordinary and near—proof that comfort...
“Pledging My Love” is a vow spoken softly but meant to last—Emmylou Harris taking an...
“Lost Unto This World” feels like a candle kept lit in a windy room—Emmylou Harris...
“Time in Babylon” is Emmylou Harris holding up a mirror to modern life—bright chrome, fast...
“My Songbird” is a love song that refuses to beg—tender, dignified, and almost painfully calm,...
“Coat of Many Colors” in Emmylou Harris’s hands is a lullaby and a testimony at...
“Beneath Still Waters” is a reminder that grief doesn’t always roar—sometimes it settles, silent and...
“Hard Bargain” is a weary-but-willing handshake with life itself—when the heart admits it’s bruised, yet...
“You’re Supposed to Be Feeling Good” is a bittersweet mirror-song: it smiles like reassurance, but...
“One Big Love” is a rush of sunlight with a bruise underneath—an anthem that sounds...
“Sin City” is a hymnal warning in disguise—about a glittering town that promises salvation, then...
“Moon Song” is a nocturnal confession—love followed to the edge of certainty, until the moonlight...
“My Baby Needs a Shepherd” is Emmylou Harris turning a lullaby into a lantern—singing tenderness...
“Feelin’ Single – Seein’ Double” is a honky-tonk grin hiding a hangover of truth: freedom...
“Old Five and Dimers Like Me” is a humble self-portrait of a life spent on...
“Tulsa Queen” is a road song with a bruise under its grin—freedom painted in chrome,...
“Goodnight Old World” is a lullaby that doesn’t escape sorrow—it gently covers it with a...
“Prayer in Open D” is a hushed confession set to ringing strings—an honest walk through...
“The Boxer” is a weary hymn for anyone who has taken a few too many...
“Can You Hear Me Now” feels like a late-night signal sent from the edge of...
“Bottle Let Me Down” is the sound of a man discovering—too late—that even his last...
“Tragedy” is Emmylou Harris looking straight at love’s wreckage—then choosing to sing it with mercy,...
“Crescent City” is a homecoming song that doesn’t romanticize the past—Emmylou Harris sings it like...
“Hold On” is Emmylou Harris offering a hand in the dark—an unshowy anthem for surviving...
“Bang the Drum Slowly” is a farewell spoken in a steady voice—Emmylou Harris turning grief...
“When I Stop Dreaming” is heartbreak told as a nightly ritual—Emmylou Harris singing a vow...
“Hobo’s Lullaby” is a cradle-song for the road-weary—Emmylou Harris singing mercy into the dark, as...