When Emmylou Harris Held Back: Half as Much Live at the Ryman Cut Deeper
At the Ryman, Emmylou Harris turned Half as Much into a lesson in restraint, letting...
At the Ryman, Emmylou Harris turned Half as Much into a lesson in restraint, letting...
On Cosmo’s Factory, Creedence Clearwater Revival treated a Bo Diddley blues as more than a...
Inside The Partridge Family’s 1972 Shopping Bag, Girl, You Make My Day gave David Cassidy...
In “Walk On,” Linda Ronstadt did not return to country as a stranger; she sounded...
On Am I Blue, Linda Ronstadt did not simply visit the old songbook; she let...
In Gold Don’t Rust, Neil Diamond used the Nashville frame of Tennessee Moon to ask...
On the Bee Gees’ last studio album, Barry Gibb turned a quiet acoustic song into...
In Josh Turner’s 2020 studio cover, Keith Whitley’s rain-soaked survivor’s song becomes an act of...
Before her Asylum years became a turning point, Linda Ronstadt opened Don’t Cry Now with...
On the 1987 Trio album, Emmylou Harris turned Jean Ritchie’s My Dear Companion into something...
On Cowgirl’s Prayer, Emmylou Harris turns I Hear a Call into a hushed act of...
Before John Fogerty sings a word on Eye of the Zombie, Goin’ Back Home lets...
On David Cassidy’s 1992 comeback trail, “For All the Lonely” sounded less like a return...
On a bright 1978 album built for motion, Linda Ronstadt turned Eric Kaz’s Blowing Away...
On Love at the Greek, Neil Diamond turned Street Life from an album cut into...
In Dig In, Neil Diamond sounds like an artist still close enough to the street...
On Odessa, the Bee Gees turned biography into chamber pop, and “Edison” shows how far...
On Omega Man, the Bee Gees let Maurice Gibb carry the pulse, revealing a brotherly...
On a 2024 album built around country identity, Josh Turner lets If You Ain’t With...
On King Size Manger, Josh Turner turns a familiar Christmas warning into a warm, low-voiced...
On Canciones de Mi Padre, Linda Ronstadt turned Dos Arbolitos into something more than a...
On We Ran, Linda Ronstadt did not simply borrow Bruce Springsteen’s vow; she let it...
On Pieces of the Sky, Emmylou Harris did not copy Merle Haggard’s hurt; she let...
On Cowgirl’s Prayer, Emmylou Harris turned Leonard Cohen‘s wandering parable into a low-lit folk-country meditation...
On Luxury Liner, Emmylou Harris heard “She” as a person first and a song second,...
On Hard Bargain, Emmylou Harris turned a country-folk song into an act of witness, letting...
Between a warning song and a roots-rock grin, John Fogerty found room for sweetness that...
On Eye of the Zombie, John Fogerty placed a bright little title like Soda Pop...
On “Sheltered in Your Arms”, David Cassidy sounds less like a star returning to old...
On Sound Magazine, a polished television-pop album track gave David Cassidy room to sing regret...