A Door Left Open: Emmylou Harris’s Waltz Across Texas Tonight at the End of Wrecking Ball
At the end of Wrecking Ball, Emmylou Harris did not resolve her reinvention so much...
Melody Era
A Tattoo Carries the War in Emmylou Harris’s The Ship on His Arm on 2011’s Hard Bargain
On Hard Bargain, Emmylou Harris turns a tattoo, a marriage, and the shadow of war...
The Comeback Had a Machine Pulse: John Fogerty’s “I Can’t Help Myself” on 1985’s Centerfield
John Fogerty returned on Centerfield with his old fire still intact, but “I Can’t Help...
A Wicked Grin After CCR: John Fogerty’s You Rascal You Cover on His 1975 Self-Titled Album
On his 1975 solo album, John Fogerty did not polish You Rascal You into nostalgia;...
David Cassidy Chased a New 80s Shadow on Someone from 1985’s European-Only Romance
On Someone, David Cassidy stepped away from the glow of teen-idol memory and into the...
The Man Behind the Teen Idol Emerged in David Cassidy’s Tell Me True from Didn’t You Used to Be…
With Tell Me True, David Cassidy sounded less like a memory being revived and more...
Beyond the Hit Duets, Linda Ronstadt’s Cry Like a Rainstorm Revealed Her 1989 Multi-Platinum Album’s Vocal Core
On Cry Like a Rainstorm, Linda Ronstadt turns vocal power into weather, proving that the...
Linda Ronstadt Turned “Oh No Not My Baby” Into a Quieter Test of Faith on Winter Light
On Winter Light, Linda Ronstadt made “Oh No Not My Baby” feel less like defiance...
After Midnight, Neil Diamond’s Midnight Dream Finds a Deeper Glow on 2001’s Three Chord Opera
On a 2001 album built from plain chords and grown-up questions, Neil Diamond’s Midnight Dream...
Before the Fever, Bee Gees’ It Doesn’t Matter Much to Me Revealed the Arif Mardin Shift on a 1974 B-Side
Before the dance-floor breakthrough, a modest 1974 flip side caught the Bee Gees learning a...
Two Deep Voices, One Quiet Room: Josh Turner and Randy Travis’ 2006 CMT Cross Country ‘Deeper Than The Holler’ Duet
On a 2006 CMT stage, Josh Turner and Randy Travis turned “Deeper Than The Holler”...
Linda Ronstadt Put Heritage First With Gritenme Piedras del Campo on Grammy-Winning Mas Canciones
On Más Canciones, Linda Ronstadt made Gritenme Piedras del Campo sound less like a revival...
The Ryman heard Guitar Town differently when Emmylou Harris and The Nash Ramblers turned it acoustic
At the Ryman, Emmylou Harris and The Nash Ramblers turned Guitar Town into a bright...
A Quiet Reckoning: Emmylou Harris Recast Tracy Chapman’s All That You Have Is Your Soul on All I Intended to Be
On All That You Have Is Your Soul, Emmylou Harris turns Tracy Chapman’s warning into...
Fogerty’s One-Man Country Leap: John Fogerty Covers Webb Pierce’s I Ain’t Never on The Blue Ridge Rangers
Before John Fogerty fully reintroduced himself after Creedence, I Ain’t Never let him hide in...
That Dixieland First Hello Reframes The Partridge Family’s “Hello, Hello” From 1972’s Shopping Bag
A Dixieland flourish slips under David Cassidy’s bright lead on “Hello, Hello,” turning a Shopping...
A Betrayal Found Its Voice When Linda Ronstadt Sang Perfidia on Grammy-Winning Frenesí
On Frenesí, Linda Ronstadt carried Perfidia back to its Spanish-language ache, where elegance and accusation...
The Storm Inside Neil Diamond’s Heartlight: How Hurricane Cuts Through His 1982 Pop Glow
On Hurricane, Neil Diamond lets the polished surface of Heartlight carry rougher weather: desire, tension,...
Maurice Gibb Breaks Through as Bee Gees’ House of Shame Drives the 1989 One Comeback
Inside House of Shame, the polished comeback surface of Bee Gees meets a sharper dance-floor...
Old-School Longing Sneaks Back In on Josh Turner’s Pretty Please from This Country Music Thing
On Pretty Please, Josh Turner treats old-school country not as a museum piece, but as...
Before the Spotlight Fully Found Her, Linda Ronstadt’s Are My Thoughts With You Revealed the Heart of Silk Purse
On Silk Purse, Linda Ronstadt treated Mickey Newbury’s Are My Thoughts With You not as...
Bluebird’s Quiet Ache: Emmylou Harris Makes I Still Miss Someone Feel Newly Alone on 1989’s Bluebird
On Bluebird, Emmylou Harris turns I Still Miss Someone into a hushed conversation with the...
Emmylou Harris Let Obsession Speak Softly on I Don’t Wanna Talk About It Now from Red Dirt Girl
On I Don’t Wanna Talk About It Now, Emmylou Harris turned late-career freedom into something...
The River Softened the Fighter: John Fogerty’s River Is Waiting on Revival
On Revival, John Fogerty’s River Is Waiting turns the familiar pull of water into a...
A Teen Idol’s Shadow Fell Away: David Cassidy’s Remember Me and the Adult Voice of Romance
At the end of Romance, David Cassidy let the bright machinery of comeback pop fall...
Before the Big Choruses: Neil Diamond’s The Long Way Home Reveals His Restless 1967 Just for You Era
Before Neil Diamond became a voice built for arenas, The Long Way Home caught him...
Bee Gees Let Vaudeville Sneak Into All This Making Love on 1975’s Main Course
On Main Course, Bee Gees were stepping toward a new American groove, but All This...
A Country Christmas Opens Toward Hawaii in Josh Turner’s “Mele Kalikimaka My ’Ohana” with Jake Shimabukuro and Ho’okena
On “Mele Kalikimaka My ’Ohana,” Josh Turner lets Christmas travel farther than snow and steeples,...
The Quiet Last Word: Linda Ronstadt’s “Old Paint” Closed Simple Dreams Far from the Hit Parade
On Simple Dreams, Linda Ronstadt saved her softest farewell for last: an old cowboy ballad...
A Rockabilly Ghost Went Country When Emmylou Harris Opened 1986’s Thirteen With Mystery Train
On Mystery Train, Emmylou Harris did not simply cover a rockabilly landmark; she slowed the...