Emmylou Harris – That Lovin’ You Feelin’ Again (with Roy Orbison) – 2008 Remaster
In “That Lovin’ You Feelin’ Again”, Emmylou Harris and Roy Orbison sound like two kindred...
In “That Lovin’ You Feelin’ Again”, Emmylou Harris and Roy Orbison sound like two kindred...
“Coat of Many Colors” in Emmylou Harris’ hands feels like a remembered kindness—proof that dignity...
“Lonely Girl” is Emmylou Harris speaking softly from the far side of experience—where loneliness isn’t...
“For No One” is the sound of love ending without a fight—Emmylou Harris sings it...
“Together Again” is a promise whispered after the damage is done—Emmylou Harris singing reunion not...
“Amarillo” is Emmylou Harris opening a door and letting the wind tell the truth—love slipping...
“Wild Mountain Thyme” becomes, with Emmylou Harris, a shared breath across oceans—an old folk vow...
“Green Pastures” is a gospel promise sung with worldly tenderness—Emmylou Harris turning weary life into...
“Blue Kentucky Girl” is a homesick sigh set to melody—Emmylou Harris singing as if a...
“Pancho & Lefty” is a ballad about the price of survival—where one man dies with...
“The Boxer” in Emmylou Harris’ hands is a hymn for the worn-down and still-standing—proof that...
“Too Far Gone” is heartbreak spoken with a steady voice—Emmylou Harris turning regret into something...
“Hanging Up My Heart” is a quiet act of self-preservation—two seasoned voices choosing dignity over...
“Goin’ Back to Harlan” is a song about returning to the place that shaped your...
“For No One” is heartbreak stripped of drama—Emmylou Harris sings it like a calm morning...
“Here, There and Everywhere” becomes, in Emmylou Harris’ hands, a tender vow spoken into distance—love...
“Two More Bottles of Wine” is a wry survival anthem—when dreams crack and love walks...
“Here I Am” is Emmylou Harris standing in the doorway of her own life—no grand...
“I’ll Go Stepping Too” is a smiling act of defiance—when trust has been spent, the...
“I Still Miss Someone” is the kind of song that doesn’t “move on”—it simply learns...
On “Not Enough,” Emmylou Harris finds that rare place where grief becomes almost unbearably gentle...
“Mister Sandman” in Emmylou Harris’s voice is a playful lullaby with grown-up echoes—an old pop...
“Waltz Across Texas Tonight” is Emmylou Harris turning the dance floor into a map of...
“Blackhawk” is a twilight road-song about memory and mourning—names, places, and half-lit scenes drifting past...
With “How She Could Sing the Wildwood Flower,” Emmylou Harris did not simply salute an...
With “Home Sweet Home,” Emmylou Harris took one of the warmest phrases in the language...
“Kern River” in Emmylou Harris’s voice becomes a river-song of grief, memory, and helpless love—one...
“Bluebird Wine” is Emmylou Harris throwing open the windows of her new life—joyful, restless, and...
“One of These Days” is Emmylou Harris singing resolve with a soft voice and a...
“May This Be Love” is a late-night prayer set to electric haze—Emmylou Harris stepping into...