Sound Magazine’s Overlooked Ache: David Cassidy and The Partridge Family’s I’m on My Way Back Home
On Sound Magazine, a modest album cut becomes a reminder that David Cassidy could make...
Left Off the Albums, The Partridge Family’s ‘It’s Time That I Knew You Better’ Put David Cassidy First
Not every Partridge Family song found its place on an album; this rare television-era performance...
A Reggae Pulse Hid Inside Linda Ronstadt’s John Hall Song “Give One Heart” From Hasten Down the Wind
On a polished 1976 album filled with country ache and songwriter confession, Linda Ronstadt let...
Linda Ronstadt Sounds Battle-Tested on “Cry ’Til My Tears Run Dry” From 1998’s We Ran
On “Cry ’Til My Tears Run Dry”, Linda Ronstadt does not sing like an artist...
The Night Began With a Jolt: Neil Diamond’s Crunchy Granola Suite Opened Hot August Night 1972
On Hot August Night, Neil Diamond did not ease into the evening; he let Crunchy...
The Bee Gees Went Country First: How Give Your Best Slipped from Odessa into Melody
Before the Bee Gees became shorthand for reinvention, Give Your Best showed how far the...
High Society Cracked in Randy Travis’s Better Class of Losers, the Alan Jackson Co-Write From High Lonesome
On High Lonesome, Randy Travis made a joke about high society feel like a confession...
Before the Breakthrough, Linda Ronstadt Let “Don’t Cry Now” Carry the Weight of a New Beginning
Before Linda Ronstadt became a defining voice of 1970s American song, “Don’t Cry Now” caught...
Desire Refuses to Behave: Emmylou Harris’s I Don’t Wanna Talk About It Now on Red Dirt Girl
On Red Dirt Girl, Emmylou Harris turned obsessive love into motion: a pulse, a refusal,...
That Train Wouldn’t Sit Still: Emmylou Harris and Rodney Crowell’s Tulsa Queen on Luxury Liner
On Tulsa Queen, Emmylou Harris turned motion into feeling, closing Luxury Liner with a song...
Green River’s Darkest Shadow: Creedence Clearwater Revival’s Sinister Purpose Hits Heavier Than Memory
Beneath Green River’s radio-bright surface, Sinister Purpose pulls Creedence Clearwater Revival into a darker, heavier...
A B-Side Changed the Frame: David Cassidy’s 1990 ‘I’ll Believe You Again’ with Sue Shifrin
On a modest 1990 B-side, David Cassidy let the adult songwriter step out from behind...
A Cry She Inherited: Linda Ronstadt’s Tú Sólo Tú on the Grammy-Winning Canciones de Mi Padre
On Tú Sólo Tú, Linda Ronstadt did not borrow mariachi heartbreak; she opened a family...
A Small Neil Diamond Song Became Its Own Screen: At the Movies on 2001’s Three Chord Opera
On 2001’s Three Chord Opera, Neil Diamond turned At the Movies into a quiet little...
Buried Beneath the Big Duet, Neil Diamond’s Remember Me Finds Its Own Pulse on You Don’t Bring Me Flowers
On an album remembered for grand romantic gestures, Neil Diamond let Remember Me speak with...
Two Brothers, One Fragile Thread: Bee Gees’ Method to My Madness on Life in a Tin Can
In Method to My Madness, the Bee Gees sound less like architects of pop grandeur...
A BBC2 Fantasy Caught Bee Gees in Transition: I Was the Child from Cucumber Castle
Inside Cucumber Castle, Bee Gees let fantasy become a mirror, and I Was the Child...
A Whisper Beat the Noise: Randy Travis’s 1994 No. 1 Whisper My Name in the This Is Me Era
In the middle of a changing country decade, Randy Travis turned a quiet phrase into...
A Duet That Felt Like Inheritance: Randy Travis and George Jones’ A Few Ole Country Boys on Heroes & Friends
On A Few Ole Country Boys, Randy Travis and George Jones made a friendly duet...
Linda Ronstadt’s Quiet Final Word on Trio II: When We’re Gone, Long Gone
With Linda Ronstadt at the front, When We’re Gone, Long Gone turns the end of...
Before Stardom, Linda Ronstadt’s “A Number and a Name” Gave Hand Sown… Home Grown Its Quiet Pulse
Before the grand stages and platinum records, Linda Ronstadt found power in a small, searching...
A Farewell Too Tender to Shout: Emmylou Harris’s Darlin’ Kate on 2011’s Hard Bargain
On Darlin’ Kate, Emmylou Harris turns friendship into a spare farewell, letting grief speak with...
A 1950s R&B Vow Became Country Tenderness in Emmylou Harris’s Pledging My Love on White Shoes
On White Shoes, Emmylou Harris turned a 1950s R&B promise into country-pop intimacy, proving that...
She Borrowed Dolly Parton’s Childhood With Grace: Emmylou Harris’s Coat of Many Colors on Pieces of the Sky
On her 1975 breakthrough album, Emmylou Harris treated Dolly Parton’s childhood song not as material...
The Quiet Cut That Cuts Deep: Emmylou Harris’ “Lonely Street” on 1989’s Bluebird
On Bluebird, Emmylou Harris turned “Lonely Street” into country sorrow at its most restrained, where...
A Childhood Hedge Opens John Fogerty’s Rhubarb Pie on Déjà Vu All Over Again
In John Fogerty’s quiet Rhubarb Pie, a childhood shortcut becomes a small map of memory,...
A Darker Tide Carries John Fogerty’s Sail Away Out of Eye of the Zombie
At the end of Eye of the Zombie, John Fogerty lets the river darken, closing...
A Teen Idol Meets the 80s: David Cassidy’s “The Letter” on the European-Only Romance Reset
On “The Letter,” David Cassidy’s 1985 Romance era turns the memory of a teen idol...
A TV-Pop Cover With Teeth: David Cassidy and The Partridge Family’s 1971 That’ll Be the Day on Up to Date
On Up to Date, a Buddy Holly standard became a bright 1971 pop charge, with...
A Beautiful Voice Carries a Brutal Promise: Linda Ronstadt Sings Randy Newman’s Sail Away on Don’t Cry Now
On Don’t Cry Now, Linda Ronstadt let Randy Newman’s Sail Away unfold as a beautiful...