A Sweet Detour After Protest: John Fogerty’s “Sugar-Sugar (In My Life)” on Deja Vu All Over Again
Between a warning song and a roots-rock grin, John Fogerty found room for sweetness that...
Between a warning song and a roots-rock grin, John Fogerty found room for sweetness that...
On Eye of the Zombie, John Fogerty placed a bright little title like Soda Pop...
On “Sheltered in Your Arms”, David Cassidy sounds less like a star returning to old...
On Sound Magazine, a polished television-pop album track gave David Cassidy room to sing regret...
On her 1972 self-titled album, Linda Ronstadt found something bracing in Woody Guthrie’s road song:...
In La Charreada, Linda Ronstadt did not simply visit mariachi tradition; she returned to a...
On All I Really Need Is You, Neil Diamond turned the polished sound of the...
In the quiet margins of Still Waters, Bee Gees found a fragile kind of beauty...
In the bright country polish of Deep South, Josh Turner tucked Wonder into the album...
In “Winter Light,” Linda Ronstadt let a title track, a film song, and a rare...
In Beyond the Great Divide, Emmylou Harris and John Starling sound less like duet partners...
On Cimarron, Emmylou Harris turned Chip Taylor’s hard-edged family tale into a hushed question about...
On The Blue Ridge Rangers Rides Again, John Fogerty hears Never Ending Song of Love...
In Stranger In Your Heart, David Cassidy stepped into 1990 not as a preserved memory,...
On Women ’Cross the River, Linda Ronstadt turns a roots song into a crossing point...
On Tap Root Manuscript, Neil Diamond stepped past the comfort of the hit single and...
Neil Diamond’s 1969 reading of Buffy Sainte-Marie’s farewell song turns restraint into its own kind...
Before the chart hit carried a condemned man’s final plea, Bee Gees placed a lighter,...
With “You Should Be Dancing,” the Bee Gees turned a restless groove into the sound...
At the end of This Country Music Thing, Josh Turner lets “Unsung Hero” speak for...
Before the album reaches for anything new, Josh Turner lets Down In Georgia stand at...
Before Linda Ronstadt became one of country-rock’s defining voices, this 1968 Stone Poneys track caught...
On Faithless Love, Linda Ronstadt did more than sing a J.D. Souther song — she...
With Here I Am, Emmylou Harris opens Stumble Into Grace not as a star arriving...
On Luxury Liner, Emmylou Harris turned She into a quiet act of remembrance, letting a...
On Blackhawk, Emmylou Harris stepped into Daniel Lanois’s atmosphere and found a new kind of...
On Angel Band, Emmylou Harris let “Someday My Ship Will Sail” drift in sacred quiet,...
Long before Creedence Clearwater Revival sounded carved out of river mud and radio memory, The...
In the stillness of 2020, John Fogerty brought “City of New Orleans” into the family...
On “Money Money”, David Cassidy sounded less like the face of a bright TV fantasy...