The Quiet Wound in Linda Ronstadt’s Silver Blue on 1975’s Prisoner in Disguise
On Silver Blue, Linda Ronstadt turned a J.D. Souther song into one of the quietest...
On Silver Blue, Linda Ronstadt turned a J.D. Souther song into one of the quietest...
On Get Closer, Linda Ronstadt turned The Knickerbockers’ Lies from a sharp 1960s garage-pop jolt...
Before the celebrated Trio album arrived, Emmylou Harris opened a small, luminous doorway where three...
On “Trouble Again”, Linda Ronstadt turns an album deep cut into a small storm of...
On Simple Dreams, Linda Ronstadt made even a deep album cut feel like a private...
On Heart Like a Wheel, Linda Ronstadt did not simply cover Hank Williams; she made...
On Frenesí, Linda Ronstadt did not treat “Quiéreme Mucho” as an antique; she let an...
On Someone to Watch Over Me, Linda Ronstadt stepped away from pop force and found...
On Maybe I’m Right, Linda Ronstadt doesn’t plead for certainty—she sings as if the argument...
On a polished 1976 album filled with country ache and songwriter confession, Linda Ronstadt let...
On “Cry ’Til My Tears Run Dry”, Linda Ronstadt does not sing like an artist...
Before Linda Ronstadt became a defining voice of 1970s American song, “Don’t Cry Now” caught...
On Tú Sólo Tú, Linda Ronstadt did not borrow mariachi heartbreak; she opened a family...
With Linda Ronstadt at the front, When We’re Gone, Long Gone turns the end of...
Before the grand stages and platinum records, Linda Ronstadt found power in a small, searching...
On Don’t Cry Now, Linda Ronstadt let Randy Newman’s Sail Away unfold as a beautiful...
On Dedicated to the One I Love, Linda Ronstadt turned the grand romantic rush of...
On Feels Like Home, Linda Ronstadt turned David Olney’s river song into a shadowed piece...
On “Crazy He Calls Me”, Linda Ronstadt did not imitate the old torch singers; she...
On You Can Close Your Eyes, Linda Ronstadt lets quietness do the work, turning a...
On her 1973 Asylum Records debut, Linda Ronstadt closed with a Neil Young song that...
On “Queen of the Silver Dollar”, Emmylou Harris turned a barroom portrait into something warmer,...
On “Mr. Radio”, Linda Ronstadt finds drama in restraint, turning a modest cut from Get...
Before Trio became a landmark meeting of three great voices, it opened with a warning:...
In a television moment built on whimsy, Linda Ronstadt and Kermit the Frog turned an...
In the middle of an English pop album, Linda Ronstadt let Adónde Voy become a...
On Winter Light, Linda Ronstadt turned Oh No Not My Baby from a proud denial...
With Hay Unos Ojos, Linda Ronstadt let mariachi carry a private inheritance into the public...
On Silk Purse, Linda Ronstadt let He Darked the Sun sound like an early confession...
On Más Canciones, Linda Ronstadt let El Crucifijo de Piedra become a solemn bridge between...